Key takeaways:
- The style must be fun, says Edward Enninful; it can achieve change. He converses with Eva Wiseman about how being gay, Black, and a migrant aids his vision.
- On Wednesday morning in 2020, the manager in-head of British Vogue was en route to work.
It was a warm day, and London hushed up that uncanny quietness as individuals crawled gracelessly back to life – this was the initial time Edward Enninful had been into the workplace since lockdown. He was there to complete Vogue’s September issue -.
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The subject was “trust,” highlighting a high-contrast gatefold of pictures of civil rights activists, with footballer Marcus Rashford and model Adwoa Aboah sharing the cover. Enninful was energized. Confident, even. Over lockdown, he’d been sorting out virtual round tables because of George Floyd’s homicide and having emergency conversations with Black forerunners in different ventures, such as Oprah Winfrey and the Duchess of Sussex, as dissidents walked in the road beneath his level. They had endlessly discussed “pushing ahead.” Be that as it may, a white safety officer halted him as he moved toward the glass entryways of Vogue House. “Conveyances go through the shipment dock,” she yelled. Enninful had two considerations. The initial, a moan: “Not today, Satan.” The second: “I can take care of this.”
